This series was shot entirely handheld, using a 50mm prime to stay intimate but versatile. I avoided tripod use on purpose — I wanted to move with the pace of the street.
Color grading leaned into warm tones with a slight fade to mimic the way our eyes perceive dusk: imperfect, glowing, and nostalgic. What I loved most about this shoot was how many people never noticed me. They were just... living—and I was just watching the light catch them.